For every great master painter of genres throughout history, including the Oil Paint Abstract Painting, you will find hundreds, perhaps thousands, of artists whose work will never see the outside of their home or studio, or the home of their family members. These artists are like the “American Idol” contestants who insist that they sing well, despite all evidence to the contrary. They make art not because they’re any good at it, but because they love doing it.
There is nothing as contemporary and abstract as bad art. Bad art has occurred throughout history, however with the advent of contemporary art, modern art, and abstract art, which question popular and standard conceptions of beauty, bad art has flourished. The very essence of all modern art is doing away with convention, and that includes whatever we consider good (or beautiful) art and bad art.
There’s actually a location in the world where these problems aren’t just observed, but celebrated: The Museum of Bad Art (MOBA), in Dedham, Massachusetts, just away from Boston. (Their second branch is in nearby Somerville.) MOBA has a permanent variety of 500 pieces of, as their motto states, “art too bad to get ignored.” Their stated goal is, as their founders assert, “to celebrate the labor of artists whose works could be displayed and appreciated in not one other forum.”
MOBA was founded in 1994, after antique dealer Scott Wilson found a painting, “Lucy inside the Field with Flowers” (which became the museum’s signature piece), within the trash. He showed it to a few friends, who suggested which he start a selection of similar items of Modern Abstract Art Oil Painting. At first, the primary collection was shown in Wilson’s friends’ home, but it soon became very popular and large that they had to maneuver it to some more permanent place.
MOBA doesn’t just exhibit any bad art, so my attempts at portraiture (that are really just stick figures) wouldn’t allow it to be in to the museum. Works accepted into MOBA has to be original and possess serious intent, but they will need to have significant but interesting flaws. The curators of MOBA refuse to show art that’s deliberately kitsch, or harmful to bad’s sake. At any rate, MOBA is the only museum in the world focused on collecting and exhibiting the worst. Its collection is a tribute to the sincerity from the artists who preserved their works even though something has gone horribly wrong during this process. Quite simply, MOBA celebrates an artist’s right to fail, as well as fail gloriously.
The very existence of MOBA, some say, is actually a response to the advent of Contemporary Art Abstract Paintings in the early 20th century, which made art more esoteric and much less accessible for the public. To the majority of Americans, museums are intimidating places ruled by experts whose tastes are mysterious and impossible for most of us to comprehend. MOBA is in direct vhhhlg to this particular trend. Its curators insist that they’re not parodying art; instead, they’re parodying the art world.
The reaction of most of the museum’s visitors is very interesting. A few of the exhibits make them laugh out loud, as well as in some methods, frees them as much as have opinions and discuss what they see. Teachers inside the Boston area have got their students to MOBA, then to more prestigious museums like Boston’s Museum of Fine Arts. Their MOBA experiences free them from feeling intimidated and also to be more expressive concerning the art there.